什麼是維瓦里尼家族

15世紀初期，威尼斯畫家中的維瓦里尼家族。維瓦里尼（Antonio Vivarini，1415年～1480?），自1444年起，與其姻親喬凡尼.達萊馬尼亞（卒於1450年）合作，現留存的作品有威尼斯聖札加利教堂、聖潘塔隆教堂與威尼斯學院（1446）的祭壇畫以及米蘭布雷拉宮的一件多聯畫（1448）。維瓦里尼（Bartolomeo Vivarini，1432年～1499?），1450年後與其兄安東尼奧.維瓦里尼合作。他的作品模仿曼特尼亞，比他的哥哥更先進。自1459年起獨立繪畫。維瓦里尼（Alvise Vivarini，1446年～1505?），其父安東尼奧.維瓦里尼是威尼斯藝術家中維瓦里尼家族的奠基人。畫法有些因襲和保守，在極大程度上無視了當時那種擺脫哥德式繪畫嚴肅形式的趨勢。其作品有在蒙特菲奧雷蒂諾的一幅祭壇畫（1475?）和威尼斯托鉢修會教堂畫的祭壇畫（1503）。

Vivarini family

Family of early 15th-century Venetian painters. Antonio Vivarini (c. 1415-c. 1480) collaborated from 1441 with his brother-in-law, Giovanni d'Alemagna (died 1450), on altarpieces, four of which survive in the churches of san Zaccaria (1443) and San Pantalon (1444), and on a large three-part canvas in the Accademia (1446). Their large-scale polyptychs feature stiff, archaic figures and heavily ornamented frames. In 1447-50 they lived in Padua and worked with Andrea Mantegna on a cycle of frescoes for the Church of the Eremitani (destroyed in World War II). Antonio's younger brother and pupil Bartolomeo (1432?-after 1500) collaborated with Antonio after 1450. His work, more progressive than his brother's, was imitative of Mantegna. From 1459 he worked independently. His most distinguished works include the altarpieces in the churches of Sts. Giovanni e Paolo (1473), Santa Maria dei Frari (1474), and San Giovanni Bragora (1478) and in the Accademia (1477). Antonio's son Alvise (c. 1445-c. 1505) came under the influence of Bellini family, with whom he worked on paintings (now lost) for the Doges' Palace (1488). The overlapping careers of Antonio, Bartolomeo, and Alvise recapitulate the overall development of Venetian painting from the late Gothic period to the threshold of the High Renaissance.